Sunday, July 6, 2014

Shelbi Wescott


After years of writing literary fiction and querying and meeting rejection after rejection, I hadn’t thought of delving into genre writing. Then I met Kevin. In many ways, Kevin saved me—he was the catalyst for a shift in the way I viewed story and the way I approached fiction.

Kevin was a struggling freshman with an attitude, a potty mouth, and litany of complaints against reading. He arrived to my class five years ago hating every book I tried to pitch him, and he was so vocal about his hatred that I almost gave up hope. We had just finished a post-apocalyptic book that I was certain he would love, but even that one fell short of his lofty expectations.

“That book was so bad,” Kevin told me. “I bet even you could write something better than this.” He meant it as a dig, but I took it at face value. I asked him to craft a list of his desires, and a year later, I had the first draft of VIRULENT sitting in the bottom of my desk drawer.
Prior to Kevin’s literary request, I had thought of myself as a reader of the dystopian genre, but not a writer of the dystopian genre. However, now that I have spent time in the speculative fiction world, I’m a convert. There is something thrilling about the creation of new worlds and engaging in the decimation of old worlds. Speculative fiction at its core draws readers into the depths of the human experience.

There is so much to explore about human nature and behavior, and that is what I love the most about dystopian literature. When I wrote VIRULENT, I wanted to start pre-dystopia and show how a dystopian society could develop, and I wanted it to feel like something that could happen tomorrow with no warning. The idea that we don’t know what tomorrow will bring is not a source of anxiety, but excitement when looked at through the lens of fiction. It gives us a blank slate to imagine any multitude of possibilities.

  
For speculative fiction writers, the plot may be dystopian, but the story is about the people. What started as an experiment for a student ended with a trilogy whose scope and sequence sets out to look into the heart of a holocaust and explore the humanity of the survivors. Thank you for reading.





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Joseph Turkot

Think of a utopia, and in your next breath you imagine a perfect society. Harmony unending. The living ideal. And something inside of us says we can never reach such a place by our own efforts. Any attempt at perfection falls short, by whatever degree.

Think of a dystopia, and in your next breath you imagine the worst mankind has to offer—or more terrifying yet—the worst that will still come.

It is within the compromise of both these extremes that we find the dystopian novel. Some kind of hope for progress, contrasted against a great decadence, whether it be man’s own doing, or the nature he is formed from.
It is in such a struggle that our two friends find themselves. They are to each other more than they know, but a catastrophe that has ravaged the old progresses of civilization forces them to find out how much more, and what left of humanity remains alive in them.What does it mean to persevere? To possess resilience? To combat the loss of one’s own values? These are the kinds of questions I am interested in. These are the kinds of questions that Tanner and Russell face.

If everything we suppose to be good about our humanity slowly starts to decay, merely because it has to, what do we throw away first? What do we decide to take with us to our graves?

Some dystopian stories work upon the fantastical, and for that effort, produce a sense of wonder and awe. Some work upon the mundane realities of normal events, but push them so consistently that endurance itself is the last and only virtue. The Rain is a story about endurance in a dystopian world, where nature isn’t the reliable nurturer we egotistically assume it to be. Something awful has happened, and endless rain has drowned most of what was once called civilization and humanity. Russell says it’s the veneer. And he believes there is a place where it’s still thick. A place where it’s stopped raining. But as in all dystopian stories, weakness works ruthlessly upon the characters thrown into such dire hopes, and utopian fantasies are often never what they seem.

I wrote this story as an exploration of the human spirit, and its willingness to find some kind of negative capability within the compromise of two ideals—the utopian and the dystopian—the very reflection of which has more to say about our own society than we might have ever imagined possible.



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TW Piperbrook


DID YOU CHOOSE TO SELF-PUBLISH OR GO THE TRADITIONAL ROUTE?  WHY?  Self-publish.  I think the e-book revolution is an amazing thing—it’s given people the freedom of choice, and that’s a huge thing.  For both readers and authors.
 
HOW DO YOU OVERCOME WRITER'S BLOCK?  By placing my butt in the chair. 
DO YOU EVER FEEL FORCED TO WRITE?  I set goals for myself, and do my best not to break them.  The best way I overcome this feeling is to sit down and start writing.  Eventually I find myself getting into the flow.
DO YOU PREFER EBOOKS, PAPERBACKS OR HARDCOVER?  I appreciate all forms, but I’m sold on e-books.  You can’t beat the convenience!
 
WHAT BOOKS HAVE INFLUENCED YOUR WRITING? King and Koontz. 
 
WHAT BOOK WOULD YOU LIKE TO READ AGAIN?  Master of Murder by Christopher Pike.  This was a book I loved growing up—it was about a high school kid that was a really a famous writer, but nobody knew it.  It really inspired me as a young adult.  I’m pretty sure I still have it somewhere.  One of these days I’ll find it!
 
DO YOU BUY A BOOK BY THE COVER?  Not exclusively, but I think the cover is often what draws me to a book in the first place (other than the recommendations of friends and family).  I think a cover is very important in getting across the theme and tone of the book.  There’s nothing better than an awesome cover!
WHERE WERE YOU BORN AND WHERE DO YOU CALL HOME? WHERE WOULD YOU LIKE TO LIVE?  I was born in Connecticut, and I’m still here today.  However, in my younger years I was a touring musician, so I was lucky enough to travel across the United States, Europe, and Canada.  If I were single, I’d probably move each year, but with a family, it’s a little tough!
LAPTOP OR DESKTOP FOR WRITING?  Laptop.  I love the flexibility to take it wherever I go.  Of course, I usually end up working at home.  Fewer distractions!
DO YOU EVER WRITE IN YOUR PJ’S?  Yep.  As often as possible!  J
 
WHERE AND WHEN DO YOU PREFER TO DO YOUR WRITING?  At the kitchen table or on the screened-in porch, preferably in the morning. 
 
WHAT IS YOUR MOTTO?  “Half the battle is just showing up.”  I have such a great appreciation for anyone who paves their own way—whether it’s in the arts or in business.  It takes a lot of courage to create something from nothing and share it with the world.
 
COFFEE OR TEA?  Tea.  I’m not a coffee guy.  However, I love Vanilla Chai.
 
SLEEP IN OR GET UP EARLY?  I’m an early bird all the way.  I’m most productive in the morning, and then I start to sundown.

YOUR FAVORITE GADGET?  My Kindle, of course! 
 
HAVE YOU EVER BEEN IN TROUBLE WITH THE AUTHORITIES?  Nope.  (wink)
 
IF WE HAD A CUSTOM THAT ALLOWED US TO EAT OUR CHILDREN, WHAT KIND OF 
SAUCE WOULD YOU USE?  Tomato sauce.  I love Italian.
ARE OUR ELECTRONIC DEVICES STEALING OUR SOUL? AND IF SO, DO YOU MAKE 
OFFERINGS TO YOUR TOASTER?  They absolutely are, but I don’t know if there’s any going back.  There are so many positives and negatives with technology; it’s hard to disconnect.  I think the best thing to do is to take breaks, leave the cellphone at home, and enjoy nature once in a while.  After all, there was a time when we didn’t have them.  Can you imagine that?
IF YOU COULD BE ANY FAMOUS PERSON FOR A DAY, HOW MANY PAPPARAZZI WOULD 
YOU KILL?  I’d be a recluse like J.D. Salinger.  Nobody would find me.
 
DO YOU HAVE AN INTOXICANT OF PREFERENCE FOR THOSE TIMES WHEN YOU ARE WRITING?  Yes.  Energy drinks.  My favorite is one called Venom Killer Taipan, which is mango-flavored.  I’m not even sure if they make it anymore, so I end up ordering it.  Either that or Monster Zeros.
HAVE YOU SEEN MY SHOES?  Yep.  They’re hanging over the power line.
DO YOU KNOW WHAT A "BRACT" IS?  Is that like a “bro pact”?  
 
BONUS QUESTION: WHY DO VILLAINS PREFER LONG HAIR CATS INSTEAD OF 
HAIRLESS CATS? HAIRLESS CATS ARE MUCH MORE EVIL LOOKING. SEEMS LIKE A 
MISSED OPPORTUNITY.  Wasn’t Dr. Evil’s cat in Austin Powers hairless?  
                                                                                                         
WHERE DID YOUR TOMORROW SPRING FROM? IN OTHER WORDS, HOW DID YOU COME UP WITH THE CRAZY WORLD?  The idea for the first CONTAMINATION book I wrote (Book 1, The Onset) came from a setting.  I read about a guy who owned an entire town in Buford, Wyoming, and he was auctioning it off to the highest bidder.  Because his “town” had a post office, it was considered an actual town and he was the only resident. 
 
The idea I had was—what if the zombie apocalypse started there, instead of a major city?  What if someone started infecting small populations in the Southwest as a trial run for something larger?  The character became Sam Cook and his town became the fictional setting of White Mist, New Mexico.
 
HOW DID YOU COME UP WITH THE IDEA FOR THIS STORY?  The premise was simple, but one I had never seen before: What if the virus was ingested, and you couldn’t trust anything you ate or drank? 
 
JUST HOW FAR IN THE FUTURE IS YOUR TOMORROW?  Not too far.  In fact, I could envision it happening now…
 
DID YOU DO ANY SPECIFIC OR UNUSUAL RESEARCH FOR THIS BOOK?  I researched a lot of locations in the Southwest.  Luckily, I’d been to some of them, so I had firsthand experience.  Route 191 in Arizona was one such place.  I know it well, because I almost died there.
 
We were on tour, and a “friend” we met on the road suggested we take a shortcut while driving from Albuquerque NM to Tucson AZ.  Little did we know we’d end up in the mountains driving over ice-covered roads!  We almost slid off the side because there were no guardrails!  When we finally made it to town, we had no brakes, and the town ended up being a ghost town.  Good times!  (Route 191 was featured in Contamination 1: The Onset.)
 
QUOTE A CHARACTER, ANY CHARACTER.  Sam Cook on religion and free will: “You know what I think?  I think if there is a God, he’s given us free reign over our choices, and it’s our decision as to whether or not we fuck it up.”
 
GIVE US THE WEATHER FORECAST FOR YOUR TOMORROW.  Cloudy.  Very cloudy.
 
WHO SHOULD NOT READ YOUR BOOK?  Anyone with a heart condition. 
 
WHAT SORT OF BODY COUNT ARE WE TALKING HERE?  It’s bad, but it could be worse.  The virus is contained to the southwest…for now.
 
WHO WOULD PLAY YOUR MAIN CHARACTER IN A MOVIE?  I’m flexible, as long as Steve Buscemi’s in it.
 
YOUR MAIN CHARACTER VS BATMAN, WHO WOULD WIN?  Batman, of course.  Because…we…he’s Batman!
 
MULTIPLE CHOICE
 
IF THERE IS TEOTWAWKI IN YOUR TOMORROW, WHAT CAUSED IT
DISEASE                               
ALIENS                   
++++MONSTERS&ZOMBIES++++       
WAR/GNH (GLOBAL NUCLEAR HOLOCAUST)
THE SUN               
IMPACT EVENT    
ECOLOGICAL CATASTROPHE  
SUPERNATURAL/RELIGIOUS
HUMAN DECLINE/MODERN DARK AGE            
TECHNOLOGY/CYBERNETIC REVOLT
OTHER
ALL OF THE ABOVE



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